I feel like I’m
not quite sure what to do with this, so here goes.
The thing that
struck me as I was reading Robinson
Crusoe was the almost detached consciousness of the style. Though the novel is written as a first person
narrative, it could also read as an almost scientific journal of observations
and events. For example, Crusoe “consulted
several things in [his] situation, which [he] found would be proper for [him]:
first...secondly...thirdly...fourthly...” (89-90). This is an extremely linear, logical way of
laying out not only action and event, but thought as well. Though Crusoe the character has no scientific
background, he observes and decides like a scientist might.
When I
approached the secondary readings, I felt as if the novel made a little more
sense. Ian Watt wrote that "realitst" view of the phenomenon of the original novels (of which Defoe
was a writer) as “tend[ing] to differ from the more flattering pictures of humanity
presented by many established ethical, social, and literary codes...because
they were the product of a more dispassionate and scientific scrutiny of life
than had ever been attempted before.” (11).
This made a lot of sense with the detachment I had noticed while
reading.
I’m not
entirely convinced that the novel was objective, though, or even that it was
trying to be. Watt seems to concur with that in his denouncement of the realist's claim that the novel was objective. Firstly, it was written in
the first person, as a journal. A truly
objective voice would be outside the action – a mere observer. Secondly, though Crusoe goes into much detail
about certain of his endeavors, such as the circumferance and width of the
fence he constructs around his dwelling, there are numerous places where he
states that he’s going to skip over this next part, as it is repetitive of the
previous. An objective view includes
each detail, not judging which is important or trivial. I guess I’m exploring the objectivity of the
novel, as well as Crusoe himself.
Hi Kari,
ReplyDeleteThoughtful post. I think the central subjects of your post: realism, objectivity/subjectivity, rationality, detachment are crucial to any discussion of the rise of the novel as a literary form and this forms engagement with recording mental states. Your sense that realism could emerge without an investment in objectivity is correct. Steve R.